Últimas notícias

Rave reviews for debut at the Metropolitan Opera

31.01.2018

"The Venezuelan conductor Domingo Hindoyan, in his house debut, moved the things along nicely and drew sharp responsiveness from the orchestra." These are the words of the New York Times about Domingo Hindoyan's acclaimed debut at the Metropolitan Opera in L'elisir d'amore. The Huffington Post stated that "Hindoyan, a Venezuelan conductor, led the always excellent Met Orchestra with an assured baton and had good rapport with the singers onstage. One hopes to see more of him in the Met’s pit." L'elisir d'amore at the Met runs until February 17. The performance on February 10 will be broadcast in HD in many movie theatres worldwide.

Domingo Hindoyan to make his debut at the Metropolitan Opera

08.01.2018

On January 16, 2018 Domingo Hindoyan will make his house debut at the Metropolitan Opera, conducting Donizetti's L'elisir d'amore. There will be 10 performances with the last show taking place on February 17. Pretty Yende, Matthew Polenzani, Davide Luciano and Ildebrando d'Arcangelo will sing the main roles. The production is by Bartlett Sher.

Domingo Hindoyan to conduct "The Nutcracker" with the Belgian National Orchestra

20.12.2017

On December 21 and 22, 2017, Domingo Hindoyan will conduct the Belgian National Orchestra in Christmas concerts featuring The Nutcracker (concert version) at the BOZAR (Center for Fine Arts) in Brussels. The first concert is intended for children, while the second is a performance of the beloved Tchaikovsky ballet for a wider audience. Both include the participation of sand artist Kseniya Simonova.

Domingo Hindoyan appointed Principal Guest Conductor of the Polish National Radio Symphony Orchestra

13.12.2017

Domingo Hindoyan has been appointed as Principal Guest Conductor of the Polish National Radio Symphony Orchestra (NOSPR). This announcement marks Domingo’s first orchestral title. Starting from September 2019, he will serve as Principal Guest Conductor for an initial period of three seasons.

DEBUT AT THE MONTE-CARLO OPERA

03.12.2017

On December 3 and 6, 2017 Domingo Hindoyan conducts Bellini's I puritani in Monaco, making his Monte-Carlo Opera debut. The cast of these concert performances include Annick Massis, Celso Albelo, Gabriele Viviani, Erwin Schrott and Marina Compara

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Calendario

Marzo, 2018

01.03

02.03

03.03

Concert

North Carolina Symphony
Dvorak Cello Concerto in B minor, Op. 104 (Johannes Moser, cello)
Prokofiev Symphony No. 5 in B-flat major, Op. 100
01 March: Memorial Hall / Chapel Hill, NC, USA
02 & 03 March: Meymandi Concert Hall / Raleigh, NC, USA

16.03

Concert

Den Norske Opera
Sibelius: Violin Concerto in D minor, Op. 47 (Michael Barenboim, violin)
Rachmaninoff: Symphony No. 2 in E minor
Den Norska Opera / Oslo, Norway

25.03

Concert

Dresdner Philharmonie
Beethoven: "Leonoren" Overture Nr. 3 C major Op. 72
Mozart: Clarinet Concerto in A major, K. 622 (Fabian Dirr, clarinet)
Schumann: Symphony Nr. 1 B major Op. 38 "Spring Symphony"
Hygiene-Museum / Dresden, Germany

Abril, 2018

01.04

02.04

Concert

Symphonieorchester Vorarlberg
Haydn Symphony No. 85 in B-flat major 'La Reine'
Mozart Piano Concerto No. 21 in C major, K. 467 (Ingolf Wunder, piano)
Beethoven Symphony No. 8 in F major, Op. 93
01 April: Montforthaus Feldkirch, Austria
02 April: Festspielehaus Bregenz, Austria

12.04

Concert

Malmö Symphony Orchestra
Laurin Concerto for guitar and orchestra (Göran Söllscher, guitar)
Shostakovich Symphony No. 13 in B-flat minor, Op. 113 (Taras Shtonda, bass)
Malmö Live Konserthus, Sweden

19.04

Concert

Borusan Istanbul Philharmonic Orchestra
Rachmaninov Piano Concerto No. 2 in C minor, Op. 18
Prokofiev Symphony No. 5 in B-flat major, Op. 100
Lufti Kirdar Convention & Exhibition Centre / Istanbul, Turkey

Mayo, 2018

04.05

05.05

Concert

Hamburger Symphoniker
* programme TBC *
04 May: Laeiszhalle / Hamburg, Germany
05 May: Friedrich Ebert Halle / Harburg, Germany

18.05

Concert

Orquesta de Valencia
Glinka Ruslan and Ludmilla: Overture
Prokofiev Cello Concerto in E minor, Op.58 (Nicolas Altstaedt, cello)
Brahms Symphony No. 1 in C minor, Op.68
Palau de la Musica / Valencia, Spain

30.05

Opera

Staatsoper Unter den Linden
Verdi - La traviata
Staatsoper Unter den Linden / Berlin, Germany

Junio, 2018

01.06

03.06

Opera

Staatsoper Unter den Linden
Verdi - La traviata
Staatsoper Unter den Linden / Berlin, Germany

22.06

30.06

Opera

Staatsoper Unter den Linden
Gluck - Orfeo ed Euridice
Staatsoper Unter den Linden / Berlin, Germany

Julio, 2018

01.07

03.07

06.07

Opera

Staatsoper Unter den Linden
Gluck - Orfeo ed Euridice
Staatsoper Unter den Linden / Berlin, Germany

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En la prensa

Domingo García Hindoyan hace historia dirigiendo en la Opera Metropolitana de Nueva York

Venezuela Sinfónica

23.02.2017

Conducirá a un elenco de estrellas en la ópera Elisir d’amore de DonizettiVenezuela Sinfónica | EspecialLos  directores venezolanos siguen haciendo historia en el mundo, sin duda puede decirse que Venezuela se ha convertido en una especia de fábrica de estrellas de la dirección orquestal. Llueven las noticias en distintos lugares del mundo sobre las hazañas de los criollos y esta vez le tocó al caraqueño Domingo García Hindoyan. 

El arte y la diplomacia corren por las venas de este joven formado en su niñez como violinista en El Sistema. Su padre fue presidente de la Orquesta Sinfónica Venezuela y su madre fue una conocida ex – parlamentaria. Domingo, luego de su temprana formación musical, decidió ir al exterior para profesionalizar sus estudios y consiguió el título universitario de Director de Orquesta en la prestigiosa  Haute Ecole de Musique de Genova.   

Formó parte de la West-East Divan Orchestra, fundada y dirigida por uno de sus mentores, Daniel Baremboin, y conformada por un grupo de músicos musulmanes, judíos y católicos, como una iniciativa de paz y convivencia. Luego se convirtió en primer asistente del maestro Barenboim en la Berlín State Opera Orchestra llevando varias presentaciones de La Traviatta.  

Más adelante, ya como director música, el maestro García – Hindoyan dirigió algunas de las óperas más famosas como Turandot, El Barbero de Sevilla, La Traviata y una renovada versión de Hänsel y Gretel.  

Ahora vive uno de sus mejores momentos y se convertirá en el primer venezolano en dirigir nada menos que en un escenario de fama y prestigio mundial como lo es la Opera Metropolitana de Nueva York (The Metropolitan Opera House).  

García Hindoyán levantará su batuta para conducir a un elenco de estrellas internacionales en la ópera  Elisir d’amore de Donizetti, como lo son Matthew Polenzani (Nemorino), Pretty Yende (Adina), Davide Luciano (Belcore) e Ildebrando D’Arcangelo (Dulcamara).  

El Elixir del Amor ( Elisir d’amore) fue compuesta por Gaetano Donizetti y estrenada en Milano, Italia en 1832. Ha sido una de las obras más versionadas de su autor, así como una de las óperas que cuenta con el mayor número de grabaciones discográficas. García Hindoyan ha manifestado su satisfacción y entusiasmo por tomar las riendas de este proyecto que será estrenado en febrero de 2018.

Tour Concert / Philharmonia Orchestra

18.01.2017

"... I was impressed by conductor Domingo Hindoyan’s attention to the details of the score, and his confident gestures were expressive.  A product of the now legendary El Sistema project in Venezuela, Hindoyan sought to emphasise the melodic qualities of the overture, and as the players settled we enjoyed some broad-breathed phrasing from the woodwind in particular.  The conductor increasingly stirred up a wind-swept energy, culminating in the violin sections’ perfectly co-ordinated surge through a rising diminished seventh arpeggio, triggering an explosive coda which had real sonic lustre.

Hindoyan’s performance was similarly self-assured when the Philharmonia accompanied violinist Michael Barenboim in a pristine performance of Prokofiev’s first violin concerto of 1917.  If conductor and soloist seemed surprisingly relaxed, then their regular appearances together with the West-Eastern Divan Orchestra – of which Hindoyan has been a standing member since 2006, and Barenboim Concertmaster since 2003 – probably helped.

Hindoyan was determined to highlight the work’s orchestral delicacies, leaving Barenboim to reveal the virtuosity of its technical acrobatics – which he did with nonchalant effortlessness and calm focus ...

This short concerto – it’s just over twenty minutes in length – relies for its full expressiveness on a sparking orchestral colour palette and Hindoyan coaxed finely crafted, vivid individual lines and timbres from the Philharmonia.  He was unwaveringly sensitive to his soloist, who was never forced to push his sound.

The grand dramatic trajectory of Beethoven’s Fifth Symphony seemed to suit Hindoyan’s temperament.  This was an interpretation of seriousness, urgency and sweeping vision, especially in the first three movements, which captured the symphonic majesty of the work.  The con Brio which Beethoven appends to the opening movement’s Allegro indication was intently observed: Hindoyan set off at quite a lick, scarcely observing the fermata of the symphony-defining fate motif.  The strings’ counterpoint was crisp and clean, the fast tempo inducing a lightness that was welcome; there was not a single overlooked detail ...

The Scherzo was full of character – notable were the striking rhythmic blasts from the horns, and the dark rumblings in the Trio from the cellos and basses.  The transition to the final movement was skilfully negotiated – both technically and expressively.  Subdued fragments of the Scherzo’s main theme were darkened by the timpani’s portentous pulsing; then the violins scaled their arpeggio arrived at a taut tremolando which Hindoyan released in a blaze of C major brilliance.

Throughout this performance, conductor and orchestra seemed a comfortable fit for each other.  Hindoyan had something fresh to say about Beethoven’s symphony – one of the most familiar compositions in classical music – and the Philharmonia were pleased to have a well-known journey refreshed by unaccustomed vistas and by-ways.  The large Canterbury audience were evidently greatly appreciative."

-Seen and Heard International

New Year's Eve Gala / Festspielhaus Baden-Baden

02.01.2017

"The spirited conductor, Domingo Hindoyan, conducted the musical year-end with a lively overture to "Zampa" (Louis-Ferdinand Hérold) and was very clear on the podium with the German Philharmonic Orchestra Saarbrücken Kaiserslautern."

{Spritzig, süffisant wie Champagner leitete der temperamentvolle Dirigent Domingo Hindoyan am Pult der vortrefflich transparent musizierenden Deutsche Radio Philharmonie Saarbrücken Kaiserslautern mit der schwungvollen Ouvertüre zu „Zampa“ (Louis-Ferdinand Hérold) den musikalischen Jahresausklang ein.}

Cuatro venezolanos alzaron la batuta para recibir 2017

El Universal

02.01.2017

Cuatro jóvenes directores venezolanos recibieron musicalmente el Año Nuevo 2017, dirigiendo el repertorio tradicional de la fecha ... En Alemania, Domingo Hindoyan dirigió la Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, con la participación de su esposa, la soprano Sonya Yoncheva, y el tenor Piotr Beczała como solistas, en la Gala de Nochevieja que tuvo lugar en la Festspielhaus de Baden-Baden. Allí se escucharon pasajes de Massenet, Gounod, Bizet, Offenbach y otros autores.

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Domingo Hindoyan (Spanish)

Galería

Galería de vídeos

Richard Strauss: Ein Heldenleben (1)

Seoul Philharmonic Orchestra
Domingo Hindoyan, conductor

Richard Strauss: Ein Heldenleben (2)

Seoul Philharmonic Orchestra
Domingo Hindoyan, conductor

Richard Strauss: Ein Heldenleben (3)

Seoul Philharmonic Orchestra
Domingo Hindoyan, conductor

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